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Continuity

I stood there
waiting for the world
to crumble beneath my feet.

It was about time
I rejoined my roots.

My mother handed me
a Bible;
she counted rosary beads,
making pit stops
at every Lord’s prayer—
I joined her,
fumbling with words,
fighting to keep my eyes closed.

With her shaking voice,
I could sense
her visions of purgatory—

the fireless un-suffering,
and waiting for some door to open.

I’ve spent too much time
trampling on gravity,
obeying what I never had the chance
to ask what for.

It was about time
I slept inside the magnet,
instead of feeling its restrictions
numbing my feet.

I waited for the fault lines,
crawling, gnawing dust,
spitting muddy waters.

I know when we’re taught to pray for heaven,
we’re obligated to long for eternal rest,
but my concept of heaven is

Continuity,
returning to the myth
of clay, carved in the likeness

of the Greater Entity,
coming back to where
S/He dug me from.

Is it coherent, and do i get a message across?

    : Comment:

Comments

1 - 7 of 7

  • ficklefeather
    August 23, 2005
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    this is how you remind me of what i really am

    it is shorter and, gods, i love how philosophical this is, in a lulling tone. well, shorter compared to your other pieces…
    the tone here though, reminds me of roy, especially in the last parts of ‘the god of small things’; it has this calming effect. same as ‘water for chocolates’, those two. it must be the translation. this is also, one of those pieces, not just within the genre, but the message, this is the one i’d love to give to a particular priest of a particular religion, so i could tell him where to shove it.

    i like the intensity of “her shaking voice”. it somewhat calls back something from my childhood. when ceilings were high, and candles mesmerised me in a different way.

    The part with the fault line reminds me of Shadow’s first dream (in American Gods).

    Forgive me. I’m just blabbing; coming down from a sugar rush

    language: 4, rhythm: 4, subject: 5, tone: 5, form: 5.


  • Goldfist
    August 11, 2005
    Edit | Reply

    good

    In lines 16 and 17, you use the word “too”. You should get rid of it in line 16; it comes off as being too redundant.

    language: 3, rhythm: 3, subject: 5, tone: 3, form: 3.


  • sidewalksolipsis
    August 9, 2005
    Edit | Reply
    It’s funny how people usually rate the best poems worst and vice versa. Meh. Even on this site most people seem not to want to improve much.

    Anyways, I saw that you were a creative writing major as well (which does not surprise me at all, especially from your work on this poem and the creativity of your other that I read), and it’s always nice to meet someone else devoted to an art and not merely deeming rants poems. I look forward to reading more from you.


  • sidewalksolipsis
    August 9, 2005
    Edit | Reply

    Yes!

    Concrete, sincere, and earnest. I’d work on making more effective your enjambments (remember, it’s the word you want to linger longest on your readers’ eyes) and beefing up your language in places (is each verb the best verb to match your tone?). Your metaphors are especially spot on: “sleep inside its magnet” and “splitting mudddy waters” were quite enjoyable. Your style reminds me of Mark Strand. Have you ever read anything by him? One of his poems is posted here: http://www.geocities.com/sidewalksolipsis/strand

    Great work!

    language: 4, rhythm: 4, subject: 5, tone: 5, form: 4.


  • Lord Gegishov
    August 6, 2005
    Edit | Reply

    A Bit Confusing

    I found this piece to be somewhat confusing. Of course, I may have rushed through it, but I don’t think so. The meaning didn’t quite grasp me. I would combine each of the stanzas and focus on punctuation and grammer. With a piece like this it becomes paramount that everything is seperated that needs to be seperated and everything combined that needs to be combined. Other than that, keep up the good work.

    language: 1, rhythm: 2, subject: 2, tone: 2, form: 2.

  • Jonathan ROBIN
    August 5, 2005
    Edit | Reply

    promising ...

    ...It was about time
    that I rejoin my
    roots. ...

    Perhaps It was about time to rejoin /or / It was about time (that) I rejoined

    ...

    language: 2, rhythm: 3, subject: 4, tone: 3, form: 4.

    • gingergreentea
      August 5, 2005
      Edit | Reply
      as you put 2 in the language rating, please tell me how to improve on it. thanks.

1 - 7 of 7