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One Colonial Day


Tin whistles, drums and tambourines
in the distance
signal a pseudo Mardi Gras -
approaching sounds and colours -
a post-Christmas celebration.
Tourists flock their balconies at Tower Isle,
cameras at the ready,
to watch the John Canoes
come dancing down the road.
Round the bend and up the hotel carriageway
flows the twirling throng.
Decked in crepe and calico,
the harlequin prancers display
their papier-mâché headdress
in black, red, green, blue and yellow:
rockets, globes, and cockerel, and naturally –
canoes.

Dance they until
threepence and shillings fly
from happy tourists who think
this cultural mockery
is historical substance.
But still a pretty scene it makes -
and tin whistles have, of their own,
a cheerful, brassy charm.

On move the weary dancers now –
their bus is waiting round the bend -
other hotels to visit,
their naïve tourists entertain.
And now it will be quiet until afternoon.

In the lounge I find a chair and read
the Christmas present my father gave –
a newly printed work on the Nazi-zeit. +
At two hundred and thirty-seven pages in,
a man about my father’s age walks by,
stops and stares
at child with weighty tome,
sits and starts a conversation.
‘His Honour’ now –
Assistant Prosecutor
at Nuremberg when I was born - ++
he shares with me
the reality behind historian’s words.

And this discussion becomes
a watershed -
like some mystic bar-mitzvah -
a moral coming of age
in a sinful world.

I am twelve,
and in Ocho Rios
it is
Boxing Day.


By James Gagiikwe © 2007

Author notes

Author’s note: + Rise and Fall of the Third Reich, Wm. L. Shirer.
++ Nuremberg Nazi War Crimes Trials.

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Comments


  • Lad silver member
    February 5, 2008

    Edit | Reply
    I, too, read Shirer's book when it first came out in the late '40s, and it's never left my consciousness; I still think it's the most searing indictment of the "Nazi-zeit" I've ever read. It's woven well into this strong prose-poem, J.G., as is the "moral coming of age" of a thoughtful 12-year-old.

    For me, the piece smoothly combines a colonial-day celebration, with all its phony rituals, with the reality of Nuremberg, brought to life in a kid's naive mind by the revelations of one who was there as a prosecutor. Eye-opener for certain.

    I couldn't quite connect the celebration with a definite place; "Ocho Rios" images, for me anyway, a Latin country, while "threepence and shillings" seems to reference a Commonwealth country. Also, I'm curious as to your choice of Victorian-style phrase constructions (e.g., "flows the twirling throng", "...a pretty scene it makes", and others) in an otherwise contemporary sounding work. But neither of those quibbles takes away from the vividness and underlying public obliviousness of "Boxing Day."

    Enjoyable...and painfully nostalgic.

    Lad