Tin whistles, drums and tambourines in the distance signal a pseudo Mardi Gras - approaching sounds and colours - a post-Christmas celebration. Tourists flock their balconies at Tower Isle, cameras at the ready, to watch the John Canoes come dancing down the road. Round the bend and up the hotel carriageway flows the twirling throng. Decked in crepe and calico, the harlequin prancers display their papier-mâché headdress in black, red, green, blue and yellow: rockets, globes, and cockerel, and naturally – canoes. Dance they until threepence and shillings fly from happy tourists who think this cultural mockery is historical substance. But still a pretty scene it makes - and tin whistles have, of their own, a cheerful, brassy charm. On move the weary dancers now – their bus is waiting round the bend - other hotels to visit, their naïve tourists entertain. And now it will be quiet until afternoon. In the lounge I find a chair and read the Christmas present my father gave – a newly printed work on the Nazi-zeit. + At two hundred and thirty-seven pages in, a man about my father’s age walks by, stops and stares at child with weighty tome, sits and starts a conversation. ‘His Honour’ now – Assistant Prosecutor at Nuremberg when I was born - ++ he shares with me the reality behind historian’s words. And this discussion becomes a watershed - like some mystic bar-mitzvah - a moral coming of age in a sinful world. I am twelve, and in Ocho Rios it is Boxing Day. By James Gagiikwe © 2007 |
Author notes
Author’s note: + Rise and Fall of the Third Reich, Wm. L. Shirer.
++ Nuremberg Nazi War Crimes Trials.
Comments
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I, too, read Shirer's book when it first came out in the late '40s, and it's never left my consciousness; I still think it's the most searing indictment of the "Nazi-zeit" I've ever read. It's woven well into this strong prose-poem, J.G., as is the "moral coming of age" of a thoughtful 12-year-old.
For me, the piece smoothly combines a colonial-day celebration, with all its phony rituals, with the reality of Nuremberg, brought to life in a kid's naive mind by the revelations of one who was there as a prosecutor. Eye-opener for certain.
I couldn't quite connect the celebration with a definite place; "Ocho Rios" images, for me anyway, a Latin country, while "threepence and shillings" seems to reference a Commonwealth country. Also, I'm curious as to your choice of Victorian-style phrase constructions (e.g., "flows the twirling throng", "...a pretty scene it makes", and others) in an otherwise contemporary sounding work. But neither of those quibbles takes away from the vividness and underlying public obliviousness of "Boxing Day."
Enjoyable...and painfully nostalgic.
Lad

