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Water Beneath

Last night the ice was so thin
that the weight of my foot
shattered it breaking it into tiny fragments
exposing the water beneath.

Now in the post-dawn pre-day hour
it has coalesced again into a single sheet
and the sole indication I ever stepped
is a slight indent in the cold glass.

In the river the gray jealous trees
shake with suppressed mirth.

Does this work?

    : Comment:

Comments

1 - 15 of 15

  • Colin Night
    February 17, 2008
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    This is a wonderful poem, Nenni. It captures something simple with beauty, grace, and simplicity.
    I love it. Its almost hard to comment on, because theres nothing I can say about this poem. I love it, its wonderful, and it captures a wonderful moment. I love the ending.
    -Colin


  • Lad silver member
    February 10, 2008

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    Wonderful, Nienna. Subtle, graceful and oblique, yet its feeling of the evanescence of us is as clear as your vestigial footprint.

    All things eventually fade, but nature's humor (the reflections of those trees IN the river - nice phrase there), jealous, wish that they could print themselves into that river just as the poet did, and be able to leave at least a temporary presence, a physical one, in the "water beneath."

    I like this one for its brevity and its sheer vision. The poet's foot broke through a little door of perception.

    Lad
    I've always thought that "stressed event" (Custodia Maia) was a sharp commenter (and often a very good poet), but I never knew that he's also a mean-spirited ass. We live and learn.

  • Stressful Event
    February 10, 2008
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    Tepid...

    ... and written in a doubtful taste. Anyway: why "beneath", man? Applaud? NO WAY!

    language: 2, rhythm: 3, subject: 5, tone: 3, form: 3.

    • Done
      February 10, 2008
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      You silly lil' rascal...

      why you bein' so mean? Goaaaaaaolllllly!

      Nienna's a nice girl who's never been anything but kind and a welcome face around here.

      Why so ornery, little buddy?

      al


      • Papyrus
        February 13, 2008
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        hey al,

        we should go after spanky with un-tepid baseball bats...

        • Done
          February 13, 2008
          Edit | Reply

          yeeehhhhhh....you know what?

          Been there, done that. Custodio just cries and gets his panties in a twist. And then what do we have? Two girls with their feelings hurt. Let's stop the senseless destruction here. Custodio, if you're reading..."GROUP HUG". Come 'ere, buddy. You need some lovies...

          al


          • Papyrus
            February 14, 2008
            Edit | Reply

            peace be with you !

            aw, i'm a sucker for group hugs.

            sorry Custodio. i love ya man. you too al!

            *Pap sheds a man tear.

            all is well, like... magic.


      • Nienna Colle
        February 10, 2008
        Edit | Reply
        Thanks, Al, for your support, it's appreciated and stuff :-)

        • Done
          February 11, 2008
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          Anytime Nienna, buuuuuut....

          I'm afraid I may be to blame. Stressful Event(Custodio) made a flip reply to one of your forum posts and I couldn't resist the temptation to be a smart-ass right back at 'im. Then he got his undies in a bundle and came after you. Sorry...

          But...it's always great to be included in the "appreciated and stuff" category.

          My apologies for creating this kerfuffle. Sometimes I just can't pass on smart-ass. It's a terrible failing of mine.

          Sorry Nienna, but thanks. I think you're great and am happy to sing your praises anytime. :-)

          al


  • William McGarvey gold member
    February 9, 2008

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    Hey Nienna!

    The water beneath the ice isn’t easy to touch. Even if someone does touch it by mistake, the perpetrator isnt usually aware of it.

    Your last stanza is a gem! A knockout punch to the poem

    Great read
    Bill

  • Done
    February 2, 2008

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    This sounds like

    you felt you had reached someone for a moment, and then they withdrew. Then it seems that you attribute that withdrawal to the mockery of others with the whole trees shaking with suppressed mirth thing. Am I close? Also, are the trees actually "in" the river, underneath the ice, gray and dead in the river? or are the trees along the banks?

    I liked the simplicity of this.

    al


  • Goin 2 Ashes gold member
    February 1, 2008

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    likeable

    An entertaining and clever litlle poem. It works OK, but it could be smoothed out a bit rhythmically.
    As:Last night the ice was thin
    it cracked when I stepped on it
    breaking up in tiny icy shards
    exposing the water beneath.

    Now in the post-dawn pre-day hour
    it has coalesced again
    the sole indication that I was ever there
    is a slight indent in the cold glass.

    In the river the gray jealous trees
    shake with suppressed mirth.

    I hope this reads more rhythmically, what do you think?
    The poem is yours, use or lose my suggestions as you see fit.

    Rich
    Does this work? [Reward

    language: 4, rhythm: 3, subject: 5, tone: 5, form: 5.


  • ladydwarf
    February 1, 2008
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    Not sure if this is metaphorical or not. You have me wondering if this really involves stepping on ice or this referring to the lack of importance some things suddenly have after we had thought them of high priority? Either way, great piece for all its breveity.


  • Gagiikwe
    January 31, 2008
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    Subtle metaphorical mockery

    The trees, who stand there longer than we, understand that the impression we make last only a night.
    "In the river"? or 'by the river'?
    Try experimenting with different line breaks and see how it sounds aloud. Can a different cadence help re-enforce the thinness of the ice, the brevity of our impression, the shaking of the trees?

    language: 3, rhythm: 1, subject: 4, tone: 4, form: 1.


  • MaMa-2-be-Cindy silver member
    January 30, 2008

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    Yes I think it works . Very impressive & fitting language Nienna. You have shared your thoughts very well here, I enjoyed the read


    Cindy

    language: 4, rhythm: 4, subject: 4, tone: 4, form: 5.

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