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the rock, ocean and sky

on which we fly through space

drew its shadow like a slow shutter

across the face of the shining moon



and soon the last glinting

of that familiar mystery

no longer shone



yet it was far



from gone



the rare phenomenon of a total lunar eclipse

had not concealed our cosmic companion

but revealed it

sombre and strangely new in our night sky

a living, solid object I could feel

ominous and

somehow

real



and in its halflight

why

the ancients would have kneeled and cowered in fear

believing their final hour had come

waxed

clear

dark and powerful it hung there

a world? a million miles away in space?

or a pearl divinely dangled

so close to my face

I might...

reach..

touch?



an orange, pulsing, three-dimensioned ball

I’ve known it all my life

yet not at all

oncoming headlights all look much the same

yet each car has a shape, a weight, a name

the light in the tunnel goes out -

we see the train



slowly hurtling



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Comments

1 - 8 of 8

  • jera jam
    April 21, 2007
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    great!

    really enjoyed this! the timing and pace, the slow development of images, and general awe that com through, all make it an enjoyable experience. It feels like a poem that records for post-human posterity what this amazing universe can offer - like describing to a blind person, or some such. Nicely done.

    . Rewarded 6


    • Windhover silver member
      April 21, 2007
      Edit | Reply

      Thanks JJ

      Don't know how you came to dig this one out but thank you for doing so. I think if I ever get round to 'clearing house' in my collection of poems, this would be one that would stay - and I'm so glad you liked it.


  • celestialpie gold member
    March 6, 2007

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    I'm a little late, but I suppose I can still comment on this little ode to my lunar namesake? I wondered if one of SP's crafty wordsmiths would pen something to honor the eclipse. I can't think of anyone better for the job.

    The first stanza is really incredible, one of the strongest I've ever seen from you. I love the brevity and precision of "rock, ocean. . .sky." So simple, yet so profoundly evocative of the range and scope of the universe.

    You have penned some very interesting observations-- it's interesting how we come to view the moon as a mundane sight. It's there all the time! But an event like an eclipse does give it something "new," makes it "real."

    I think the tie-in to oncoming headlights was very clever. Using words like "ominous" and "cowering" were a good lead-up to that sort of conclusion, where we realize that we can see a thing all the time, yet never recognize or appreciate what lies beyond.

    Hugs,
    Pie

    . Rewarded 4


  • Ludmila607
    March 6, 2007
    Edit | Reply

    Wonderful....

    I do love your poem.It is one of the best I ve found in here and the use of lunar image is astonishing.I hope you will have great comments on this.I am wordless.
    What should expect after a red moon like this , I hop not to be announcement for bleeding war...Congratulations!

    . Rewarded 4


    • Windhover silver member
      March 6, 2007
      Edit | Reply

      A thousand thanks L.

      Such a warm and flattering comment is really encouraging. My Best to You. Peace. >W<


  • Lad silver member
    March 5, 2007

    Edit | Reply

    I can feel the sensibility here.

    JohnBird, it's palpable: that inner sense we have that darkness, often terrifying, can reveal realities which light often cannot. (That's probably why medieval monks - and modern ones too - pray at evening Vespers to be protected "from the angels of the night.") I get another thought from your poem: contrary to the old saw that 'what we don't know can't hurt us', or 'out of sight out of mind', the opposite - "the train" - is "slowly hurtling." A beauty and an omen.

    I admire the images you chose: rock, ocean and sky; slow shutter; halflight; final hour; pearl; orange - and "inches from my face" brings them all together and inward. Nice.

    Two images, though, strike me as maybe a bit too easy, maybe even mundane for this highly metaphored meditation: "beautiful" "satellite" and "celestial companion." I'm wondering if your skill would dig up something there more seductive.

    I like, often envy, your ability to move your poetic ideas from object to being to meaning with the barest vocabulary from your huge barrel of them, without any pedantic need to wrap things up too neatly from first to last line. And - shutter, shinging and shone are pleasing.

    Offhand thought: are "in space" and the comma after "living" really needed? Up to you as always.

    Lad

    Hats off!

    . Rewarded 4


    • Windhover silver member
      March 5, 2007
      Edit | Reply

      2 lunatics!

      My Fellow Traveller! I have taken what you said on board and it fair set me to tinkering ( it suddenly strikes me that gypsies in these parts are known as both tinkers and travellers - but let it pass!) I have reworked my little lunar lyric and it is hopefully now less lunatic.See what you think.
      I believe you may ascribe more to this one than was intended though I realize the poetic thought inspired by a (magnificent) lunar eclipse here on Saturday night will go which way it will. Primarily I wanted to express how different, real, somehow naked, exposed, revealed the moon looked with the clothing of its radiance removed. I realize now I used no such references in the poem. But I hope I got that 'feel' across.
      Thanks for your insightful, careful, and inspirational comment. >W<


      • Lad silver member
        March 5, 2007
        Edit | Reply

        One loonybird, one moonstruck...

        and, alright already, I'll be the loonybird, you the one struck poetic by the moon's dark. I like the results of the tinkering, especially "touch." I tried to see the eclipse here; would have been a good one but the sky was too clouded: now there's an idea for a ditty.
        Lad

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